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Finally, the case of fashion design offers insights into how intersecting inequalities can shape the glass runway. Because cultural value is ambiguous, processes of valorization are shaped by gender essentialism, pushing male cultural producers down the glass runway and into the spotlight of fame, consecration, and legitimation. Attributions of value and legitimacy construct a gendered image of the ideal fashion designer through discourses of art and culture that reinforce essentialist ideas about gender difference. Second, I show how men and women are consecrated differently by analyzing the content of 157 entries in Voguepedia's design canon and 96 fashion media articles. First, using design canons and lists of award recipients, I show that men, especially gay men, receive more consecration than women. This article develops the notion of a "glass runway" to explain this inequality. It's not a declaration of human value, it's just acknowledging some standard for definitions.Fashion design is a feminized occupation, but there is a widespread perception that gay male designers are advantaged in receiving awards, publicity, and praise. People have their own tastes and fetishes and true beauty is a mix of different qualities, love and appreciation for personality but generally speaking, Kate Winslet is a "curvy" woman but Melissa McCarthy is "obese". So it's not like they are, overall as a sex, making new and unusual demands. There are very dark days ahead in the USA. The more I learn about women, the more I like my (pickup truck, dog, horse).Mens fashion will return when there are social movements reviving traditional women. This fight over how women's bodies should be, what should be sexualized about them and what should not, actually has nothing to do with men gay men don't sexualize women so this debate is irrelevant and straight men have, generally speaking, not changed their ideals about female bodies not too thin, not too fat and there's a range of what that means, by petite proportion or tall proportion. It is reflects a growing disconnect between men and women culturally.
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It is no mystery at all why they are skinny and rangy and with no hips and big. I think that gay men are actually the most to blame for many of the problems in the fashion industry, like the absence of womanly curves on the runway, and the hideous, figure-assaulting trend that is the tent dress, which no women who have tits, and no straight men who have an appreciation for tits, have any use for. The gay part just stems from many gay men not feeling at home around straight men and straight activities.
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So men have always been in charge of the fashion industry like many other industries. The healthy human body has become this mythological thing. The problem is that the fashion industry is all women and homosexual men. Man, the world’s leading online library of every male nude scene in the history of film and television, proudly announced the winners of their 7th annual 2021 Manatomy Awards recently. Historically, outside of a select few, most women didn’t really work till the 50s. Men who are fit but still have the tiniest bit of fat over that muscle are relegated to the fetish department ("bubble butts"). Women with actual curves rather than tires can do porn or play the cartoonish sexpot. There's this weird fight to glamorize both extreme thinness and morbid obesity, while treating genuine health - not sinewy, body exhaustion but just the right amount of body weight and muscle/fat balance - as some kind of hyper-sexualized taboo. R25 We're at a point of such body extremes, in our societies now.